Bilbo Baggins, a hobbit enjoying his quiet life, is swept into an epic quest by Gandalf the Grey and thirteen dwarves who seek to reclaim their mountain home from Smaug, the dragon.
Peter Jackson's return to Middle-earth divided critics sharply: the cast — Martin Freeman especially — and the visual spectacle earned genuine praise, but the bloated runtime, stretched source material, and polarizing 48-frames-per-second photography left many feeling the film fell well short of the trilogy that preceded it. Audiences embraced it far more warmly than critics did, and that gap has only widened over time.
“Thank heavens for Andy Serkis, whose riddling return as Gollum steals the entire film. It is the only time the digital effects and smoother visuals underline, rather than undermine, the mythical drama of Bilbo's adventure. As a lover of cinema, Jackson's film bored me rigid; as a lover of Tolkien, it broke my heart.”
Robbie Collin·The Daily Telegraph
“Though there are elements in this new film that are as spectacular as much of the Rings trilogy was... there is much that is flat-footed and tedious as well, especially in the early going.”
Todd McCarthy·The Hollywood Reporter
“The Hobbit plays younger and lighter than Fellowship and its follow-ups, but does right by the faithful and has a strength in Martin Freeman's Bilbo that may yet see this trilogy measure up to the last one”
Dan Jolin·Empire
“this is a dismally unattractive movie, featuring too many shots that I'm sure were lovely at some point but are now ruined and chintzified by the terrible technology monster.”
Richard Lawson·The Atlantic Wire
“Charming, spectacular, technically audacious… in short, everything you expect from a Peter Jackson movie. A feeling of familiarity does take hold in places, but this is an epically entertaining first course.”
Matthew Leyland·Total Film
Adventure, Fantasy
Bilbo Baggins, a hobbit enjoying his quiet life, is swept into an epic quest by Gandalf the Grey and thirteen dwarves who seek to reclaim their mountain home from Smaug, the dragon.
Peter Jackson's return to Middle-earth divided critics sharply: the cast — Martin Freeman especially — and the visual spectacle earned genuine praise, but the bloated runtime, stretched source material, and polarizing 48-frames-per-second photography left many feeling the film fell well short of the trilogy that preceded it. Audiences embraced it far more warmly than critics did, and that gap has only widened over time.
“Thank heavens for Andy Serkis, whose riddling return as Gollum steals the entire film. It is the only time the digital effects and smoother visuals underline, rather than undermine, the mythical drama of Bilbo's adventure. As a lover of cinema, Jackson's film bored me rigid; as a lover of Tolkien, it broke my heart.”
Robbie Collin·The Daily Telegraph
“Though there are elements in this new film that are as spectacular as much of the Rings trilogy was... there is much that is flat-footed and tedious as well, especially in the early going.”
Todd McCarthy·The Hollywood Reporter
“The Hobbit plays younger and lighter than Fellowship and its follow-ups, but does right by the faithful and has a strength in Martin Freeman's Bilbo that may yet see this trilogy measure up to the last one”
Dan Jolin·Empire
“this is a dismally unattractive movie, featuring too many shots that I'm sure were lovely at some point but are now ruined and chintzified by the terrible technology monster.”
Richard Lawson·The Atlantic Wire
“Charming, spectacular, technically audacious… in short, everything you expect from a Peter Jackson movie. A feeling of familiarity does take hold in places, but this is an epically entertaining first course.”
Matthew Leyland·Total Film
Adventure, Fantasy