When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
Critics at the time were largely dismissive, condemning the script, acting, and the film's apparent indifference to anything beyond staging its death sequences — but a notable minority argued that the film knowingly courts laughs alongside screams, making the carnage more playful than punishing. The gap between that original critical cold shoulder and the film's enduring fan reputation is substantial enough that it has been singled out as one of the sequels critics misjudged, with many horror fans and retrospective writers now treating it as the franchise's high point.
“it's not as cheekily knowing as the Scream movies or as trashily Grand Guignol as the Evil Dead franchise, but like those pictures it recognizes the close relationship between fright and laughter, and dispenses both with a free, unpretentious hand”
A. O. Scott·The New York Times
“it is surprisingly good fun for the current crop of horror films, reasonably well-plotted and full of jaw-dropping, white-knuckle scares. That said, it's most definitely not for the squeamish nor the easily offended.”
Marc Savlov·Austin Chronicle
“the movie mandates complete gullibility and vacuous attention in order to work on any level”
James Berardinelli·ReelViews
“this risible thriller is merely a sadistic series of misread premonitions and vile murders”
Justine Elias·The Village Voice
“Cook is serviceable as the premonition-fueled Kimberly, but doesn't evoke enough emotion in the scenes following the brutal deaths of her close friends.”
Dustin Putman·TheMovieBoy.com
Horror, Thriller
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
Critics at the time were largely dismissive, condemning the script, acting, and the film's apparent indifference to anything beyond staging its death sequences — but a notable minority argued that the film knowingly courts laughs alongside screams, making the carnage more playful than punishing. The gap between that original critical cold shoulder and the film's enduring fan reputation is substantial enough that it has been singled out as one of the sequels critics misjudged, with many horror fans and retrospective writers now treating it as the franchise's high point.
“it's not as cheekily knowing as the Scream movies or as trashily Grand Guignol as the Evil Dead franchise, but like those pictures it recognizes the close relationship between fright and laughter, and dispenses both with a free, unpretentious hand”
A. O. Scott·The New York Times
“it is surprisingly good fun for the current crop of horror films, reasonably well-plotted and full of jaw-dropping, white-knuckle scares. That said, it's most definitely not for the squeamish nor the easily offended.”
Marc Savlov·Austin Chronicle
“the movie mandates complete gullibility and vacuous attention in order to work on any level”
James Berardinelli·ReelViews
“this risible thriller is merely a sadistic series of misread premonitions and vile murders”
Justine Elias·The Village Voice
“Cook is serviceable as the premonition-fueled Kimberly, but doesn't evoke enough emotion in the scenes following the brutal deaths of her close friends.”
Dustin Putman·TheMovieBoy.com
Horror, Thriller