After a teenager has a terrifying vision of him and his friends dying in a plane crash, he prevents the accident only to have Death hunt them down, one by one.
Critics were sharply divided at release, with the majority finding the premise squandered by flat execution and performances, while a vocal minority — including Roger Ebert — thought it delivered genuine suspense in the vein of early Scream. The central disagreement was whether the death-cheats-back concept was inventively handled or simply wasted; most contemporary reviewers landed on the latter, though audience enthusiasm and later critical reassessment suggest the film found its defenders over time. Devon Sawa's lead performance drew scattered praise even from mixed reviews.
“even by the crude standards of teenage horror, Final Destination is dramatically flat”
Stephen Holden·The New York Times
“fails because it takes itself both too seriously and not seriously enough”
Ernest Hardy·LA Weekly
“Final Destination will no doubt be a hit and inspire the obligatory sequels. Like the original Scream, this movie is too good to be the end of the road. I have visions of my own”
Roger Ebert·Chicago Sun-Times
“generates a respectable amount of suspense and takes a few unexpected turns while covering familiar territory”
Joe Leydon·Variety
“serviceable enough, if you come to it with sufficiently modest expectations”
Maitland McDonagh·TV Guide
Horror, Thriller
After a teenager has a terrifying vision of him and his friends dying in a plane crash, he prevents the accident only to have Death hunt them down, one by one.
Critics were sharply divided at release, with the majority finding the premise squandered by flat execution and performances, while a vocal minority — including Roger Ebert — thought it delivered genuine suspense in the vein of early Scream. The central disagreement was whether the death-cheats-back concept was inventively handled or simply wasted; most contemporary reviewers landed on the latter, though audience enthusiasm and later critical reassessment suggest the film found its defenders over time. Devon Sawa's lead performance drew scattered praise even from mixed reviews.
“even by the crude standards of teenage horror, Final Destination is dramatically flat”
Stephen Holden·The New York Times
“fails because it takes itself both too seriously and not seriously enough”
Ernest Hardy·LA Weekly
“Final Destination will no doubt be a hit and inspire the obligatory sequels. Like the original Scream, this movie is too good to be the end of the road. I have visions of my own”
Roger Ebert·Chicago Sun-Times
“generates a respectable amount of suspense and takes a few unexpected turns while covering familiar territory”
Joe Leydon·Variety
“serviceable enough, if you come to it with sufficiently modest expectations”
Maitland McDonagh·TV Guide
Horror, Thriller