Three Colors: Red
3 Oscar Nominations
Rent/Purchase
Part-time model Valentine unexpectedly befriends a retired judge after she runs over his dog. At first, the grumpy man shows no concern about the dog, and Valentine decides to keep it. But the two form a bond when she returns to his house and catches him listening to his neighbors’ phone calls.
What critics thought
Kieślowski's trilogy closer is treated by critics as an outright masterpiece — one of those rare films where near-universal enthusiasm has only deepened over time. The central dynamic between Valentine and the retired judge anchors meditations on destiny, chance, and solitude that critics found intellectually demanding but never cold, thanks to precise use of color, movement, and performance. Roger Ebert framed it as an anti-romance, completing a trilogy built on genre inversions.
“It's a film about destiny and chance, solitude and communication, cynicism and faith, doubt and desire; about lives affected by forces beyond rationalization. The assured direction avoids woolly mysticism by using material resources—actors, color, movement, composition, sound—to illuminate abstract concepts. Stunningly beautiful, powerfully scored and immaculately performed, the film is virtually flawless, and one of the very greatest cinematic achievements of the last few decades. A masterpiece”
Geoff Andrew·Time Out London
“satisfying exploration of such complex and diverse themes as destiny and platonic love”
James Berardinelli·Reelviews
Genres
Drama, Mystery, Romance
Cast & Crew
DirectorKrzysztof Kieślowski
StarringIrène Jacob, Jean-Louis Trintignant, Frédérique Feder, Jean-Pierre Lorit, Samuel Le Bihan
ComposerBertrand Lenclos, Zbigniew Preisner
Three Colors: Red
3 Oscar Nominations
Part-time model Valentine unexpectedly befriends a retired judge after she runs over his dog. At first, the grumpy man shows no concern about the dog, and Valentine decides to keep it. But the two form a bond when she returns to his house and catches him listening to his neighbors’ phone calls.
What critics thought
Kieślowski's trilogy closer is treated by critics as an outright masterpiece — one of those rare films where near-universal enthusiasm has only deepened over time. The central dynamic between Valentine and the retired judge anchors meditations on destiny, chance, and solitude that critics found intellectually demanding but never cold, thanks to precise use of color, movement, and performance. Roger Ebert framed it as an anti-romance, completing a trilogy built on genre inversions.
“It's a film about destiny and chance, solitude and communication, cynicism and faith, doubt and desire; about lives affected by forces beyond rationalization. The assured direction avoids woolly mysticism by using material resources—actors, color, movement, composition, sound—to illuminate abstract concepts. Stunningly beautiful, powerfully scored and immaculately performed, the film is virtually flawless, and one of the very greatest cinematic achievements of the last few decades. A masterpiece”
Geoff Andrew·Time Out London
“satisfying exploration of such complex and diverse themes as destiny and platonic love”
James Berardinelli·Reelviews
Genres
Drama, Mystery, Romance
Cast & Crew
DirectorKrzysztof Kieślowski
StarringIrène Jacob, Jean-Louis Trintignant, Frédérique Feder, Jean-Pierre Lorit, Samuel Le Bihan
ComposerBertrand Lenclos, Zbigniew Preisner
Rent/Purchase