Four animal friends get a taste of the wild life when they break out of captivity at the Central Park Zoo and wash ashore on the island of Madagascar.
Critics in 2005 landed in mixed territory, broadly agreeing the film is visually polished and reliably entertaining for children while disagreeing sharply on whether it deserves a place alongside the Pixar films it was inevitably measured against. The central fault line was ambition: supporters found it a cheerfully unpretentious crowd-pleaser, while detractors felt its thin story and formulaic construction wasted considerable technical talent.
“in a world where the stakes have been raised by Finding Nemo, Shrek and The Incredibles, it's a throwback to a more conventional kind of animated entertainment.”
Roger Ebert·RogerEbert.com
“Madagascar, despite some break-out moments of silliness, seems defined by a formula that can't fail to please, at a basic level, but never feels imaginatively inspired.”
Philippa Hawker·The Sydney Morning Herald
“how so much talent, technical skill and money could add up to so little.”
A. O. Scott·The New York Times
“It's also a pleasure to see a cartoon so determinedly devoid of sentiment, a stance confirmed by the hilarious demise of an angelic little duckling. Highly recommended for kids and adults.”
Paul Arendt·BBC
“a good-humored, pleasant confection that has all kinds of relaxed fun bringing computer-animated savvy to the old-fashioned world of Looney Tunes cartoons.”
Kenneth Turan·Los Angeles Times
Adventure, Animation, Comedy
Four animal friends get a taste of the wild life when they break out of captivity at the Central Park Zoo and wash ashore on the island of Madagascar.
Critics in 2005 landed in mixed territory, broadly agreeing the film is visually polished and reliably entertaining for children while disagreeing sharply on whether it deserves a place alongside the Pixar films it was inevitably measured against. The central fault line was ambition: supporters found it a cheerfully unpretentious crowd-pleaser, while detractors felt its thin story and formulaic construction wasted considerable technical talent.
“in a world where the stakes have been raised by Finding Nemo, Shrek and The Incredibles, it's a throwback to a more conventional kind of animated entertainment.”
Roger Ebert·RogerEbert.com
“Madagascar, despite some break-out moments of silliness, seems defined by a formula that can't fail to please, at a basic level, but never feels imaginatively inspired.”
Philippa Hawker·The Sydney Morning Herald
“how so much talent, technical skill and money could add up to so little.”
A. O. Scott·The New York Times
“It's also a pleasure to see a cartoon so determinedly devoid of sentiment, a stance confirmed by the hilarious demise of an angelic little duckling. Highly recommended for kids and adults.”
Paul Arendt·BBC
“a good-humored, pleasant confection that has all kinds of relaxed fun bringing computer-animated savvy to the old-fashioned world of Looney Tunes cartoons.”
Kenneth Turan·Los Angeles Times
Adventure, Animation, Comedy