Terminal Island, New York: 2020. Overcrowding in the US penal system has reached a breaking point. Prisons have been turned over to a monolithic Weyland Corporation, which sees jails full of thugs as an opportunity for televised sport. Adrenalized inmates, a global audience hungry for violence and a spectacular, enclosed arena come together to form the 'Death Race', the biggest, most brutal event.
Critics landed mostly negative on this Paul W.S. Anderson remake, faulting it for stripping out the satirical wit of the original and replacing it with numbing, repetitive carnage. The action spectacle won some grudging fans among viewers who wanted nothing more than cars destroying each other, but most reviewers found it too hollow to justify even that modest ambition.
“an assault on all the senses, including common.”
Roger Ebert·Chicago Sun-Times
“the movie is legitimately greasy, authentically nasty, with a good old-fashioned sense of laying waste to everything in sight.”
Nathan Lee·The New York Times
“weak when it comes to things like plot, character, and acting, but it's very good at provoking visceral reactions.”
James Berardinelli·ReelViews
“the chases are pretty cool, but there's absolutely nothing else to see.”
Elizabeth Weitzman·New York Daily News
Action, Sci-Fi, Thriller
Terminal Island, New York: 2020. Overcrowding in the US penal system has reached a breaking point. Prisons have been turned over to a monolithic Weyland Corporation, which sees jails full of thugs as an opportunity for televised sport. Adrenalized inmates, a global audience hungry for violence and a spectacular, enclosed arena come together to form the 'Death Race', the biggest, most brutal event.
Critics landed mostly negative on this Paul W.S. Anderson remake, faulting it for stripping out the satirical wit of the original and replacing it with numbing, repetitive carnage. The action spectacle won some grudging fans among viewers who wanted nothing more than cars destroying each other, but most reviewers found it too hollow to justify even that modest ambition.
“an assault on all the senses, including common.”
Roger Ebert·Chicago Sun-Times
“the movie is legitimately greasy, authentically nasty, with a good old-fashioned sense of laying waste to everything in sight.”
Nathan Lee·The New York Times
“weak when it comes to things like plot, character, and acting, but it's very good at provoking visceral reactions.”
James Berardinelli·ReelViews
“the chases are pretty cool, but there's absolutely nothing else to see.”
Elizabeth Weitzman·New York Daily News
Action, Sci-Fi, Thriller