A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.
Sofia Coppola's debut is widely praised for its dreamlike, elegiac atmosphere — a film that deliberately withholds explanation and lets mystery do the work. Critics broadly admired how it handles adolescence and repression through impressionism rather than drama, though a few found the same quality that enchants others — its refusal to confront its own dark subject head-on — to be a genuine artistic problem rather than a deliberate choice.
“She doesn't hammer home ideas and interpretations. She is content with the air of mystery and loss that hangs in the air like bitter poignancy.”
Roger Ebert·Chicago Sun-Times
“how can a film in which a quintet of apparently normal girls commit suicide possibly be a celebration, and why would a filmmaker attempt to make it so unless she is uncommonly perverse?”
Graham Fuller·The New York Times
“The narrator speaks of youth as if it existed and still exists in a near-fugue state. In this respect, the film is as much a relevant view of adolescence and male/female relations as it is an act of remembrance.”
Ed Gonzalez·Slant Magazine
Drama, Romance
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.
Sofia Coppola's debut is widely praised for its dreamlike, elegiac atmosphere — a film that deliberately withholds explanation and lets mystery do the work. Critics broadly admired how it handles adolescence and repression through impressionism rather than drama, though a few found the same quality that enchants others — its refusal to confront its own dark subject head-on — to be a genuine artistic problem rather than a deliberate choice.
“She doesn't hammer home ideas and interpretations. She is content with the air of mystery and loss that hangs in the air like bitter poignancy.”
Roger Ebert·Chicago Sun-Times
“how can a film in which a quintet of apparently normal girls commit suicide possibly be a celebration, and why would a filmmaker attempt to make it so unless she is uncommonly perverse?”
Graham Fuller·The New York Times
“The narrator speaks of youth as if it existed and still exists in a near-fugue state. In this respect, the film is as much a relevant view of adolescence and male/female relations as it is an act of remembrance.”
Ed Gonzalez·Slant Magazine
Drama, Romance