Academy Award × 3
Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.
Broadly acclaimed on release, Whiplash works as a psychological thriller wearing a music-school costume — critics zeroed in on the J.K. Simmons performance and Damien Chazelle's propulsive editing as its twin engines. The main fault line ran not over craft but over ideas: a minority of serious critics, particularly those steeped in jazz, argued the film distorts musical history and peddles a dangerously romanticized myth of abusive genius.
“demolishes the cliches of the musical-prodigy genre, investing the traditionally polite stages and rehearsal studios of a topnotch conservatory with all the psychological intensity of a battlefield or sports arena”
Peter Debruge·Variety
“Teller, who greatly impressed in last year's Sundance entry The Spectacular Now, does so again in a performance that is more often simmering than volatile ... Simmons has the great good fortune for a character actor to have here found a co-lead part he can really run with, which is what he excitingly does with a man who is profane, way out of bounds and, like many a good villain, utterly compelling”
Todd McCarthy·The Hollywood Reporter
“Chazelle's film has a sharp and gripping rhythm, with shots beautifully edited by Tom Cross... often cutting to the crash of Andrew's drums”
Amber Wilkinson·The Daily Telegraph
“In all likelihood, Fletcher isn't making a Charlie Parker. He's making the kind of musician that would throw a cymbal at him”
Forrest Wickman·Slate
“Whiplash honors neither jazz nor cinema”
Richard Brody·The New Yorker
Drama, Music
DirectorDamien Chazelle
StarringMiles Teller, J.K. Simmons, Paul Reiser, Melissa Benoist, Austin Stowell
ComposerJustin Hurwitz
Academy Award × 3
Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.
Broadly acclaimed on release, Whiplash works as a psychological thriller wearing a music-school costume — critics zeroed in on the J.K. Simmons performance and Damien Chazelle's propulsive editing as its twin engines. The main fault line ran not over craft but over ideas: a minority of serious critics, particularly those steeped in jazz, argued the film distorts musical history and peddles a dangerously romanticized myth of abusive genius.
“demolishes the cliches of the musical-prodigy genre, investing the traditionally polite stages and rehearsal studios of a topnotch conservatory with all the psychological intensity of a battlefield or sports arena”
Peter Debruge·Variety
“Teller, who greatly impressed in last year's Sundance entry The Spectacular Now, does so again in a performance that is more often simmering than volatile ... Simmons has the great good fortune for a character actor to have here found a co-lead part he can really run with, which is what he excitingly does with a man who is profane, way out of bounds and, like many a good villain, utterly compelling”
Todd McCarthy·The Hollywood Reporter
“Chazelle's film has a sharp and gripping rhythm, with shots beautifully edited by Tom Cross... often cutting to the crash of Andrew's drums”
Amber Wilkinson·The Daily Telegraph
“In all likelihood, Fletcher isn't making a Charlie Parker. He's making the kind of musician that would throw a cymbal at him”
Forrest Wickman·Slate
“Whiplash honors neither jazz nor cinema”
Richard Brody·The New Yorker
Drama, Music
DirectorDamien Chazelle
StarringMiles Teller, J.K. Simmons, Paul Reiser, Melissa Benoist, Austin Stowell
ComposerJustin Hurwitz