An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.
Contemporary critics were mixed-to-positive, with many singling out the film's propulsive first two-thirds before accusing the finale of collapsing into cluttered sentiment — a complaint that echoed across multiple reviews. Decades of television exposure, star-making careers, and Elmer Bernstein's score have since elevated its reputation well beyond its initial reception, making the gap between how critics first received it and how audiences now revere it one of the more striking reversals in Hollywood western history.
“pallid, pretentious and overlong reflection of the Japanese original”
Howard Thompson·The New York Times
“Until the women and children arrive on the scene about two-thirds of the way through, The Magnificent Seven is a rip-roaring rootin' tootin' western with lots of bite and tang and old-fashioned abandon. The last third is downhill, a long and cluttered anti-climax in which The Magnificent Seven grow slightly too magnificent for comfort.”
Variety
“by turns, virile, rowdily funny and then, abruptly, not always predictably, it is pensive, even gentle. John Sturges' direction is superbly staccato; making a knife-sharp use of pauses and silences, it brings out both the humor and melancholy, the humanity as well as the evil inherent in the situation.”
Charles Stinson·Los Angeles Times
“the film manages to be both impressive and likeable.”
The Monthly Film Bulletin
“A superb Western, well acted and crammed full of action, human interest, pathos, suspense, plus some romance and humor.”
Harrison's Reports
Action, Adventure, Drama
An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.
Contemporary critics were mixed-to-positive, with many singling out the film's propulsive first two-thirds before accusing the finale of collapsing into cluttered sentiment — a complaint that echoed across multiple reviews. Decades of television exposure, star-making careers, and Elmer Bernstein's score have since elevated its reputation well beyond its initial reception, making the gap between how critics first received it and how audiences now revere it one of the more striking reversals in Hollywood western history.
“pallid, pretentious and overlong reflection of the Japanese original”
Howard Thompson·The New York Times
“Until the women and children arrive on the scene about two-thirds of the way through, The Magnificent Seven is a rip-roaring rootin' tootin' western with lots of bite and tang and old-fashioned abandon. The last third is downhill, a long and cluttered anti-climax in which The Magnificent Seven grow slightly too magnificent for comfort.”
Variety
“by turns, virile, rowdily funny and then, abruptly, not always predictably, it is pensive, even gentle. John Sturges' direction is superbly staccato; making a knife-sharp use of pauses and silences, it brings out both the humor and melancholy, the humanity as well as the evil inherent in the situation.”
Charles Stinson·Los Angeles Times
“the film manages to be both impressive and likeable.”
The Monthly Film Bulletin
“A superb Western, well acted and crammed full of action, human interest, pathos, suspense, plus some romance and humor.”
Harrison's Reports
Action, Adventure, Drama