On October 13, 1972, Uruguayan Air Force Flight 571, chartered to take a rugby team to Chile, crashes into a glacier in the heart of the Andes.
Bayona's survival epic earns broad praise for its technical craftsmanship and its unusual choice to give equal weight to those who didn't survive, not just those who did — a decision that separates it from earlier tellings of the same story. Critics largely agree on its visceral power and spiritual sincerity, though some felt it smoothed over the stranger, darker edges of the real event, and a minority dismissed it outright as hollow prestige filmmaking.
“philosophical script and unshakeable performances”
Roxana Hadadi·Vulture
“the strange, dark mystery of the Andes case is overlooked by Bayona; the weird suspicion that the experience has made the survivors "post-human”
Peter Bradshaw·The Guardian
“uneven but ultimately effective”
David Rooney·The Hollywood Reporter
“they survived. Cinema didn't”
Luís Miguel Oliveira·Público
Adventure, Biography, Drama
On October 13, 1972, Uruguayan Air Force Flight 571, chartered to take a rugby team to Chile, crashes into a glacier in the heart of the Andes.
Bayona's survival epic earns broad praise for its technical craftsmanship and its unusual choice to give equal weight to those who didn't survive, not just those who did — a decision that separates it from earlier tellings of the same story. Critics largely agree on its visceral power and spiritual sincerity, though some felt it smoothed over the stranger, darker edges of the real event, and a minority dismissed it outright as hollow prestige filmmaking.
“philosophical script and unshakeable performances”
Roxana Hadadi·Vulture
“the strange, dark mystery of the Andes case is overlooked by Bayona; the weird suspicion that the experience has made the survivors "post-human”
Peter Bradshaw·The Guardian
“uneven but ultimately effective”
David Rooney·The Hollywood Reporter
“they survived. Cinema didn't”
Luís Miguel Oliveira·Público
Adventure, Biography, Drama